Digital Printing vs Traditional Method in Photography

Over the past few years, technology has constantly evolved and improved graphics, artwork, and printing. New advances in technology have also made printing affordable and easy to use.

For photographers too, printing was very easy and consultative. More and more photographers have moved from the old style to modern enlarged printing with the use of digital inkjet printers.

With the modern use of digital cameras now prevailing to make perfect digital photos, photographers no longer have to go through the process of scanning the negatives of the photos taken this is one of the main reasons why more photographers have moved to digital age technology.

Digital image printing is developed in corresponding software such as PhotoShop, CorelDraw, and other kinds of software. However, among all, Photoshop is the most commonly used software application to meet the demands of more clear and precise Digital Prints. In fact, it has now become difficult for photographers to sell the equipment once used in the darkroom.

With the growth of printing technology, new questions have also arisen, such as whether digital printing is really as aesthetically pleasing and durable. Critics question whether digital printing can hold the same level of output as traditional images. For others, printing on inkjet printers is akin to the imitation of the original as they are printed using ink, while the traditional method contained a natural mixture of photographic purposes. Nevertheless, even with advances in digital photo printing, a number of people still appreciate the old printing technique.

In case you were wondering when the debate over digital versus traditional printing was sparked, it started with doubts about the lasting effect of inkjet prints over emulsion prints. Reviewers wondered if inkjet prints could withstand exposure longer and maintain their quality. However, some have proven that traditional prints didn't last as long and slowly faded over time. This observation reinforces the belief that no image can yet withstand exposure for a long time. As the developments in digital technology keep increasing, the questions and concerns regarding its performance have been lessened as it has performed its role well to date.

The inkjet prints have greatly contributed to giving an eventual effect on the uniqueness of the images. The technique of inkjet printers is to spray a number of small dots on the paper, which makes the image sharper and more defined. This is perhaps a simple example of how new printing technology has played its part in contributing to creativity and has now defined its own field of art.

 

Digital Printing vs Traditional Method in Photography

The acceptance of inkjet printing has been quite unpredictable so far. In some exhibitions and art galleries, inkjet print designs are readily permitted, while some follow strict rules against displaying such prints. Alternatively, some designers still prefer traditional emulsion prints to be part of their works. For those who rely on digital printing, the choice is based on practicality, and going back to the traditional technique is no longer financially viable. Digital printing has also made enlarging prints and images much easier than traditional printing. It has been suggested that over time, as digital printing continues to take off in the tech world, many will make the switch from the traditional method to the digital method.

Using digital printing requires honing artistic skills, and accuracy and precision must be tracked and maintained. To enhance printing capabilities, using Photoshop or similar software can be very helpful in acquiring spectacular prints.

 

Cyan And Magenta Explained Moving

on to ink cartridges used in printers, anyone who has purchased these cartridges knows that there is no blue or red ink. Cyan sure looks blue and magenta sure looks red - but have you ever wondered why they just don't call them blue and red instead of cyan and magenta?

Here's the explanation: Monitors and printers use different ways to produce color. While a monitor is a light source, printers reflect light. The only commonality between the two is something known as procrastination. It is the process of approximating a color that cannot be displayed with evenly dispersed dots of other colors.

This technique assigns different color values ​​to adjacent pixels, reducing the contrast between dots of different colors or shades and creating a smoother, more natural impression. Seen from a distance, these colors seem to merge into a single intermediate color. Dithering is similar to the halftone used in black and white publications to achieve shades of gray.

Coming back to the discussion, monitors and printers use primary colors; however, a monitor uses red, green, and blue additive primary colors, while printers use cyan, magenta, and yellow subtractive primary colors. In both cases, the primary colors are dithered to form the entire color spectrum. Dithering breaks up a color pixel into an array of dots so that each dot is made up of one of the base primary colors or intentionally left blank to create white.

Cyan and magenta are actually old printing terms for blue and red, but since some form of differentiation is needed between the additive and subtractive spectrum, cyan and magenta are here to stay!